| (12/03) This is an
interview of the great F.H. of the game translation scene. It is
because of him and the efforts of others that we have English
translations available for
Front Mission, Alcahest and Papuya. He is definitely an Internet
celebrity in my eyes! So let the interview begin. (his replies are
in blue)
 Hello there! I’m flattered I am
asked for an interview! ^^
 So F.H., can you tell us a little
about yourself?
My name’s Frank Hughes. I
live in England. I also hate talking about myself! :p I will say I
play DDR quite a bit, plus guitar and bass.
When did you get into working on
translation projects?
A long time ago! Back in…
1998?! =0
What got you into them?
I was pretty new to the
Internet back then. I was teaching myself SNES coding at the time,
and had done a few small projects plus cracks of games. I think I
read something about a Final Fantasy 5 translation and I was curious
about how they had achieved this. I felt pretty comfortable in
approaching some group with ASM (Assembly Language) assistance. I
looked around and approached a group called ‘Kanji Hack’, but they
said ‘Thanks’, but didn’t need any assistance. I looked around
again, and saw someone called ‘Stories’ working on one of my
favourite SNES games, ‘Front Mission’! The rest is history!
What influenced your decision to
work on Front Mission?
I really did like the game!
I didn’t need to read Japanese to be moved by the game’s story and
its ending. I’d never seen anything like that in any RPG! Plus
working with a small group of people, rather than a big Translation
Group brand name appealed more to me.
Did you do anything special to
prepare yourself for Front Mission?
I guess the honest answer is
‘no’! I walked in there with no idea what was needed to make a
translation of a game! A lot of us back then had to learn as we went
along. There were no sources of information, generic script dumpers
or table generators. We had to build the translation tools
ourselves, and so I, and I guess others, built up a knowledge of
what was needed in translations by ‘doing’.
 What problems did you encounter
during the Front Mission project? And what did you do to correct
them?
Quite a lot!!!
Technical problems: FM –
along with later Square games such as Seiken Densetsu 3 – was a
different breed of program than its predecessors, and trying to
understand the program solely through disassembled output was nigh
on impossible! Then I learned of emulators having Trace facilities
and that helped! ^_^
Translators/translations: we
lacked these for FM for the longest time. I guess the solution came
in the form of Akujin and Hojo.
The script: The FM script
contains action, suspense, sadness, humour, plus a diversity of
characters. The translation from Japanese to English, without
context or a given continuity, flattened elements of the script. It
was down to Akujin, David Mullen, Shih Tzu and I to go over every
piece of text to really do justice to this story; so much so, that
the entire script had completely changed once we’d each been over it
5 times! We even had a ‘US Military Dictionary of Terms’ and used it
to shape a lot of the military language, i.e.: ‘Hindering our Air
Offensive’, ‘Avenue of Approach’, ‘Advance to Contact’, etc. I
certainly felt we should stay away from the ‘All Ages’ grammar level
evident in a lot of official SNES translations.
Text Display: We added a
‘Variable Width Font’ display to the game, plus ‘Dynamic Font
Wrapping’ which works in much the same way as Word Processor would
do in wrapping text to the next line. This supported substrings of
varying length. It was a pain to get working and I’d never do it to
that extent again!!
What influenced your decision to
work on Alcahest?
Again, it was a game I had
completed and always liked. I always found Jun Ishikawa’s music a
pleasure to listen to!
Did you do anything special to
prepare yourself for Alcahest?
Nothing really special, I
guess. I adapted the tools I had done for FM over to Alcahest.
What problems did you encounter
during the Alcahest project? And what did you do to correct them?
I guess one was that
Alcahest didn’t use a table of pointers, but the solution to getting
a script dump was….err.. ‘novel’! =P Another problem would be the
password system and the ending going out of sync at a particular
point. Those haven’t been fixed yet.
Overall, do you think working on
Front Mission and Alcahest was worth all the hard work you put into
them?
Yes, definitely. I’m as much
a fan as anyone, so seeing these games in English is great!
 Have you participated in any other
translation project besides Front Mission, Alcahest, and Papuya?
I did make a translation
document for ‘Record of the Lodoss War’, which was picked up and
used by Lina Chan’s translation. I did offer some help into Shadow’s
‘Ranma ½’ and ‘Gulliver Boy’, but I’m not sure what happened to
them. I did look into ‘Gun Hazard’ for RPGe, though they disbanded –
I believe Gideon Zhi and Akujin are doing quite well with their own
translation of it. I also have offered ‘a fresh pair of eyes’ to
DarkForce on some of his projects – and likewise, he’ll do the same
for me. It’s good to know we have someone to scream at if we get
stuck! J I’m also actively involved in the Romancing Saga 1
translation.
Do you plan to continue working on
translation projects? Knowing what you went through to get the Front
Mission project completed, do you think you can handle working on
another big RPG title?
To be honest, I’m not sure.
We’ll see what the future holds!
I would like to close the interview
with this last question. What gave you and continues to give you the
will and enthusiasm to keep you going with translation projects? Do
you have a personal goal or mission?
I guess because there is an
enjoyment in it for me, plus working with people who share the same
goal of seeing these games translated! And also it’s the players and
fans’ of these games that have kept us going with their support –
they make it all worthwhile!
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